The film provides great background information for teachers on the life and activism of Howard Zinn in the civil rights, anti-war, and free speech movements. Clips could be used in the classroom to introduce specific historic events.

Narrated by Matt Damon with music by Pearl Jam, Woody Guthrie & Billy Bragg. Closed captioned.

Produced by First Run Features.

“With narration taken entirely from Zinn’s own writing, read by actor Matt Damon, filmmakers Deb Ellis and Denis Mueller skillfully capture the spirit of Zinn’s life work.” — Link TV

“Thoughtful, exciting, moving.” —Christian Science Monitor

“Finally, a documentary about one of America’s most important academics.” —San Francisco Chronicle

Trailer

Watch the full documentary online.

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Known for its lively, clear prose as well as its scholarly research, A People’s History tells U.S. history from the point of view of — and in the words of — America’s women, factory workers, African-Americans, Native Americans, the working poor, and immigrant laborers.

As historian Howard Zinn shows, many of our country’s greatest battles — the fights for a fair wage, an eight-hour workday, child-labor laws, health and safety standards, universal suffrage, women’s rights, racial equality — were carried out at the grassroots level, against bloody resistance. Covering Christopher Columbus’s arrival through President Clinton’s first term, A People’s History of the United States features insightful analysis of the most important events in U.S. history.

Library Journal calls Howard Zinn’s A People’s History of the United States “a brilliant and moving history of the American people from the point of view of those. . . whose plight has been largely omitted from most histories.” Packed with vivid details and telling quotations, Zinn’s award-winning classic continues to revolutionize the way U.S. history is taught and remembered.

The book has appeared in popular media, like The Sopranos, The Simpsons, Good Will Hunting, Lady Bird, and the History Channel documentary The People Speak. [Publisher’s description.]

More than two million copies sold.

The 35th anniversary edition, published in November of 2015, includes a new introduction by Anthony Arnove. He begins,

Howard Zinn fundamentally changed the way millions of people think about history with A People’s History of the United States. He would be the first to say, however, that he didn’t do so alone. The book grew out of his awareness of the importance of social movements throughout U.S. history, some of which he played an active role in during the 1960s and 1970s and beyond, namely the Civil Rights Movement, mass mobilizations to end the Vietnam War, as well as other antiwar movements, and the many movements for higher wages and workers’ rights and the rights of women, Latinos, Native Americans, gays and lesbians, and others.

ISBN: 9780062397348 | HarperCollins

Teacher Quotes

As a teacher, the Zinn Education Project website is invaluable because it provides activities that directly relate to A People’s History. Last week we did The People vs. Columbus, et al. which places all the parties involved in the arrival of Columbus on trial for the murder of the Tainos. The activity was so interactive that teachers from other classrooms had to ask us to quiet down. Students were able to better understand the motives and consequences behind the arrival.

Even though A People’s History can be a bit difficult for some students, the activities on the Zinn Education Project website makes the content accessible regardless of their reading level.

—Julian Hipkins III

HIgh School Administrator, Washington, District of Columbia

My first lesson as a student teacher was using an excerpt from A People’s History of the United States to teach about Columbus. I was working at Booker T. Washington Middle School in NYC. A student raised her hand and said, “Howard Zinn is my uncle!” I was honored, my hero’s niece! For Christmas, I got a signed copy!

—Francesca Miller

Teacher, New York, New York

More than thirty years ago, I had the pleasure of sitting next to Howard Zinn on a cross-country flight to check out graduate programs. Despite my being somewhat star-struck, he was one of those easy to “fall into conversation with” seatmates — kind, engaging, and interested in why I was traveling.

When I revealed that I was considering becoming a social studies teacher, he said “You must do that. The world needs teachers like the one you will be.” The voice of the universe had spoken and I have been a classroom teacher for the past thirty years, using parts of A People’s History of the United States and his inspirational approach to understanding the American experience.

—Annie Barnes

High School Humanities Teacher, Los Angeles, California

I grew up very trusting (too trusting) of the mainstream media and the accounts of our nations history from my textbooks. For years I was under the impression that the United States of America was the greatest nation in the world with no flaws — the epitome of democratic perfection. I would sing the national anthem proudly at baseball games and digest all the stories of our founding fathers that led me to idolization.

Then I read Howard Zinn’s A People’s History of the United States and everything changed. I became more curious about who was writing the history and their motivations. I developed a lens by which to critically judge the events and accounts I read in newspapers and history books. I was more thoughtful about a mainstream version of our history informed how another might see the world differently than me.

His book was the catalyst — opening me to a deeper understanding of myself, my biases and how they manifested subconsciously into sexism, racism, classism, and other forms of intolerance. After doing more work, reading books like The New Jim Crow by Michelle Alexander and Between the World and Me by Ta-Nehisi Coates, I found my way with conviction into activism. Each day I do this work I feel increasingly more empowered to be an aware and mindful ally to the Movement for Black Lives and other movements who struggle to dismantle systems of violence and oppression.

—Brendan Orsinger

Organizer with the James Reeb Voting Rights Project, District of Columbia

I read A People’s History of the United States in the summer before my junior year of high school — fifteen years ago now. It was an interesting time. This would have been 2005-2006, so the wars in Iraq and Afghanistan were well underway, and I was beginning to pay attention to what those around me were saying about war.

As I sat in Boston Common reading my paperback copy of A People’s History, I must have had dozens of people come up to me to tell me how much it had changed their lives. Some were former students, some were fans, some were college students reading Zinn for the first time. Howard Zinn gave me a gift — a radical awakening. His work has that kind of power. You don’t forget injustice easily, and he unearths the injustices the other textbooks would rather forget.

I had the distinct honor of meeting Zinn when he gave the opening remarks at an adaptation of Grace Paley’s work. For all that Zinn was — activist, educator, historian, pacifist, mensch — he reminded me of why our people fight for justice. I love the long, anti-capitalist, anti-white supremacist tradition he carried forward as a Jew. We are obligated by our religion to fight for all who are oppressed, and every time I read Zinn, I am graced with that reminder, and that memory.

I believe in the power of radical change through progressive education and fully support the work of the Zinn Education Project.

—Becky Eidelman

Urban and Environmental Policy and Planning Graduate Student, Boston, Massachusetts

I am an 8th grade Humanities teacher at Melrose Leadership Academy in Oakland.

I just finished chapter 4 of A People’s History of the United States on tyranny with my 8th graders, and I have never seen so many of my students engaged in discussion! One of my normally non-avid readers came up to me at the end of the class and said, “Ms. V, this is such an interesting book!”

I am so proud to be using Howard Zinn’s work! Thank you!

—Marisa Villegas

Middle School Humanities Teacher, Oakland, California

Because of this book, I understood early in my college career the importance of the true, unfiltered words of the actual actors in a historical event. As a result, I was drawn further into the study of history and, eventually, into my career as a history teacher. What A People’s History brought to my attention is that American history is much more interesting than that. Our history is an exciting, sometimes appalling, struggle for power and that makes us just like every other country that has ever existed.

A long list of “good guys” with no one to struggle with is neither a true story nor a good story. It doesn’t resonate because it leads the student to believe that we are all waiting for the next exceptional leader, instead of becoming a force for change in our own communities. A People’s History helped me recognize this as a student of history and inspires my attempt to bring true stories to young people, weary of the inaccessible lists that history teaching has become.

—Reynolds Bodenhamer

HIgh School Social Studies Teacher, Gulfport, Mississippi

In my first year of teaching 15 years ago, I was browsing local bookstores for resources that could supplement the textbook that I resented. I became a history teacher to help students make history a living part of their lives and the textbook seemed to have the opposite effect. I grabbed A People’s History of the United States and have yet to put it down.

The way in which Howard Zinn makes history compelling for students is undeniable and a resource that I have decided I — and my students — cannot be without. Many students who find themselves in alternative programs will often say that teachers never made school interesting. Zinn’s work gave me the resource I needed to capture the internal sense of justice so many urban students have. As an educator, I am filled with excitement that although I opened the window with the help of Howard Zinn, they have made the effort to examine what is outside.

—Dawn Fontaine

High School Social Studies Teacher, Springfield, Massachusetts

I have been a Howard Zinn fan since I picked up a copy of A People’s History when it first came out. I have cited it in more newspaper opinion columns than I can remember. I also quoted from it many times in my lectures at West Kentucky Community and Technical College, where I was on the faculty for 36 years. I recommended the book to my students. I still recommend the book to my union brothers and sisters — I’m the webmaster-editor for the Kentucky State AFL-CIO, a member of the state executive board and a retiree-member of AFT Local 1360. More than a few have bought copies of it.

—Berry Craig

Professor Emeritus of History, West Kentucky Community and Technical College, Louisville, Kentucky

Read more quotes from teachers about the impact of Howard Zinn and A People’s History of the United States on their work.

Table of Contents

Chapter 1. Columbus, the Indians, and Human Progress
Chapter 2. Drawing the Color Line
Chapter 3. Persons of Mean and Vile Condition
Chapter 4. Tyranny Is Tyranny
Chapter 5. A Kind of Revolution
Chapter 6. The Intimately Oppressed
Chapter 7. As Long as Grass Grows or Water Runs
Chapter 8. We Take Nothing by Conquest, Thank God
Chapter 9. Slavery Without Submission, Emancipation Without Freedom
Chapter 10. The Other Civil War
Chapter 11. Robber Barons and Rebels
Chapter 12. The Empire and the People
Chapter 13. The Socialist Challenge
Chapter 14. War Is the Health of the State
Chapter 15. Self-help in Hard Times
Chapter 16. A Peoples War?
Chapter 17. Or Does It Explode?
Chapter 18. The Impossible Victory: Vietnam
Chapter 19. Surprises
Chapter 20. The Seventies: Under Control?
Chapter 21. Carter-Reagan-Bush: The Bipartisan Consensus
Chapter 22. The Unreported Resistance
Chapter 23. The Coming Revolt of the Guards
Chapter 24. The Clinton Presidency
Chapter 25. The 2000 Election and the “War on Terrorism”

The post A People’s History of the United States: 1492 – Present appeared first on Zinn Education Project.

Black Panther children in a classroom with their teacher, Evon Carter, widow of Alprentice “Bunchy” Carter, at the Intercommunal Youth Institute, the Black Panther Party school. Photograph by Stephen Shames. Source: The Washington Post

During the Civil Rights Movement and the Black Power Movement, in particular, community self-determination was central to many peoples’ struggles. The Black Panther Party for Self Defense sought social justice for African Americans and other oppressed communities through a combination of revolutionary theory, education, and community programs.

Free clothing being offered at an event sponsored by the Black Panther Party in New Haven, Connecticut, in 1969. Photo by David Fenton, Getty Images.

Mural depicting the BPP 10-Point Program, as seen on the side of Marcus Books in Oakland, California. Source: Josh Davidson

Their party platform, better known as the 10-Point Program, arose from the Black Panthers’ assessment of the social and economic conditions in their community. It became part of the party’s philosophical backbone and served as a model for many other community groups such as the Brown Berets, the Young Lords, and the Red Guard.

I taught about the Panthers in the context of a high school African Studies class in Seattle that focused on African history and the experience of the Diaspora. Of the 30 working- and middle-class students, most of them 10th graders, 25 were African American, four were white, and one was Chicana. When I teach about the Black Power Movement, I try to connect the movement to today’s issues. One way is by having students review the Black Panther Party’s 10-Point Program and develop their own personal versions of the program. This lesson, of course, has to take place within the context of a larger unit on the Panthers and African American history in general.

This lesson was originally published in the Fall 2001 issue of Rethinking Schools magazine.

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Over the years I included in my curriculum at Portland, Oregon Franklin High School examples of resistance, set up simulations and activities where students challenged the system or took on the roles of change-makers. Still, I sent too many students into the world as cynical young adults when what I wanted was to empower students to become active citizens — thinking critically about society, identifying its problems and working toward solutions. I wanted to start this school year with one hopeful story we could return to repeatedly. I found it in Salt of the Earth, a compelling and dramatic film that demonstrates alliances, solidarity, and resistance.

Film is in public domain. View Salt of the Earth or download free online at Internet Archive.

This lesson was published by Rethinking Schools in Rethinking Our Classrooms: Teaching For Equity and Justice (Volume 1). For more teaching activities like “Salt of the Earth: Grounds Students in Hope,” order Rethinking Our Classrooms with essays, teaching ideas, compelling classroom narratives, and hands-on examples.

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About the author

Shana Burg‘s debut novel, A Thousand Never Evers, was inspired by her father’s role as a lawyer in the civil rights movement. To write this novel, she conducted scores of interviews, read old newspapers and magazines, listened to oral histories and the blues, memorized endless gardening facts, and hired her former middle school students to edit her manuscript.

ISBN: 9780440422099 | Yearling Books

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Dr. Martin Luther King Jr. speaks to a crowd of an estimated 400,000 people at the United Nations Plaza after an anti-Vietnam War march, New York City, April 15, 1967. Source: Fred W. McDarrah/Getty Images

On April 4, 1967, exactly one year before his assassination, Martin Luther King Jr. delivered a speech in New York City on the occasion of his becoming co-chairman of Clergy and Laymen Concerned About Vietnam (subsequently renamed Clergy and Laity Concerned).

Titled “Beyond Vietnam,” it was his first major speech on the war in Vietnam — what the Vietnamese aptly call the American War. In these excerpts, King links the escalating U.S. commitment to that war with its abandonment of the commitment to social justice at home. His call for a “shift from a ‘thing-oriented’ society to a ‘person-oriented’ society” and for us to “struggle for a new world” has acquired even greater urgency than when he issued it decades ago.

The speech concludes:

A nation that continues year after year to spend more money on military defense than on programs of social uplift is approaching spiritual death….

Our only hope today lies in our ability to recapture the revolutionary spirit and go out into a sometimes hostile world declaring eternal hostility to poverty, racism, and militarism. . .

Our only hope today lies in our ability to recapture the revolutionary spirit and go out into a sometimes hostile world declaring eternal hostility to poverty, racism, and militarism. With this powerful commitment we shall boldly challenge the status quo and unjust mores and thereby speed the day when every valley shall be exalted, and every mountain and hill shall be made low, and the crooked shall be made straight and the rough places plain . . .

Now let us begin. Now let us rededicate ourselves to the long and bitter — but beautiful — struggle for a new world.

Full text and audio of Beyond Vietnam online at AmericanRhetoric.com.

The Student Nonviolent Coordinating Committee had issued a statement against the Vietnam War the year before after the murder of Sammy Younge Jr.

Find related resources for the classroom below.

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Mahalia Jackson offers an impromptu rendition of the gospel song “Just a Closer Walk with Thee” to the beat of the Eureka Brass Band at the New Orleans Jazz Festival in April 1970.

One of the central themes of my history course is that America is a nation of great contradictions. The history of American music provides an excellent means for illuminating perhaps the most basic contradiction of all in U.S. society, that of race. How could the author of the Declaration of Independence, which declares that “all men are created equal” and possess an “inalienable right to life, liberty and the pursuit of happiness,” have been a slave owner? How could the founders be inspired by the example of limited government set by the Iroquois nations yet engage in a policy of genocide when indigenous tribes interfered with westward expansion?

American music — jazz, rock, rap, R&B, gospel, country — has been the most alive and innovative musical tradition in the world for at least the last century. All these forms come out of the gumbo pot of African, European, and Native American sources that characterizes the musical heritage of both North and South America. Yet, in the United States, black artists typically have done the lion’s share of the innovating, while white artists (and white-owned record labels) have reaped the lion’s share of the financial rewards. . . It is impossible to seriously study the history of 20th-century American music, from ragtime to rap, without also studying the history of racism.

This lesson was published by Rethinking Schools in an edition of Rethinking Schools magazine, “Improving Teacher Quality,” (Winter 2005). For more articles and lessons like “School Days: Hail, Hail, Rock ‘n’ Roll!,” visit Rethinking Schools.

Additional Resources

In the podcast A History of Rock Music in 500 Songs, host Andrew Hickey presents a history of rock music from 1938 to 1999, looking at five hundred songs that shaped the genre. Each episode delves into a particular song, noting its historical time, place, and significance.

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Most books leave out the story of the 381-day bus boycott involving thousands of people.

Issues of racism and direct confrontation between African American and European American people in the United States are usually considered too sensitive to be dealt with directly in the elementary school classroom. When African Americans and European Americans are involved in confrontation in children’s texts, the situation is routinely described as a problem between individuals that can be worked out on a personal basis. In the few cases where racism is addressed as a social problem, there has to be a happy ending.

Most books show Rosa Parks on her own and leave out her role with the NAACP and her trips to the Highlander Center. (Pictured here with freedom school educator Septima Clark.)

This is most readily apparent in the biographical treatment of Rosa Parks, one of the two names that most children associate with the Civil Rights Movement, the other being Martin Luther King Jr. The image of “Rosa Parks the Tired” exists on the level of a national cultural icon. Dozens of children’s books and textbooks present the same version of what might be called “Rosa Parks and the Montgomery Bus Boycott.”

Jo Ann Gibson Robinson was one of the main organizers of the Montgomery Bus Boycott.

Rosa Parks was a poor seamstress. She lived in Montgomery, Ala., during the 1950s. In those days there was still segregation in parts of the United States. That meant that African Americans and European Americans were not allowed to use the same public facilities such as restaurants or swimming pools. It also meant that whenever the city buses were crowded, African Americans had to give up seats in front to European Americans and move to the back of the bus. 

One day on her way home from work Rosa was tired and sat down in the front of the bus. As the bus got crowded she was asked to give up her seat to a European American man, and she refused. The bus driver told her she had to go to the back of the bus, and she still refused to move. It was a hot day, she was tired and angry, and she became very stubborn.

The driver called a policeman, who arrested  Rosa. When other African Americans in Montgomery heard this, they became angry too, so they decided to refuse to ride the buses until everyone was allowed to ride together. They boycotted the buses. The boycott, which was led by Martin Luther King Jr., succeeded. Now African Americans and European Americans can ride the buses together in Montgomery. Rosa Parks was a very brave person.

This story seems innocent enough. Rosa Parks is treated with respect, and the African American community is given credit for running the boycott and winning the struggle. On closer examination, however, this version reveals some distressing characteristics that serve to turn a carefully planned movement for social change into a spontaneous outburst based upon frustration and anger.

The following annotations on the previous summary suggest that we need a new story, one not only more in line with the truth but one that shows the organizational skills and determination of the African American community in Montgomery and the role of the bus boycott in the larger struggle to desegregate Montgomery and the South.

Click “Download Lesson” to continue reading article with myths and facts.

Why is this important?

One of the few children’s books that places Rosa Parks in the context of an organized movement.

When the story of the Montgomery bus boycott is told merely as a tale of a single heroic person, it leaves children hanging. Not everyone is a hero or heroine. Of course, the idea that only special people can create change is useful if you want to prevent mass movements and keep change from happening. Not every child can be a Rosa Parks, but everyone can imagine herself or himself as a participant in the boycott. As a tale of a social movement and a community effort to overthrow injustice, the Rosa Parks story opens the possibility of every child identifying herself or himself as an activist, as someone who can help make justice happen.

By Herbert Kohl, the author of more than forty books, including the bestselling classic 36 Children. A recipient of the National Book Award and the Robert F. Kennedy Book Award, Herb Kohl was founder and first director of the Teachers & Writers Collaborative in New York City and established the PEN West Center in San Francisco, where he lives.

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Mighty Times: The Children’s March

Mighty Times: The Children’s March offers a rare glimpse into the 1963 Birmingham children’s march from the ground up. More than 100 eyewitnesses contributed to the storytelling, with appearances by notable participants and organizers James Orange, Gwendolyn Webb, James Bevel, Harry Belafonte, Dick Gregory, and Andrew Young. [Producer’s description.]

“The Children’s March” is not available to stream. Check your library for a DVD version.

Trailer

Produced by Learning for Justice in association with HBO.

Background on the Birmingham Children’s March

Photo by Bruce Davidson. Source: Library of Congress.

As is explained on the Stanford University’s Martin Luther King Jr. Papers Project, the King Research and Education Institute website:

Aware that support for protests in Birmingham was waning during April 1963, Dr. Martin Luther King Jr. and the SCLC looked for ways to jumpstart the campaign. When the arrest and jailing of King did little to attract more protestors, SCLC staff member James Bevel proposed recruiting local students, arguing that while many adults may be reluctant to participate in demonstrations for fear of losing their jobs, their children had less to lose. King initially had reservations, but after deliberation he agreed, hoping for the action to “subpoena the conscience of the nation to the judgment seat of morality.” SCLC and the Alabama Christian Movement for Human Rights (ACMHR) members immediately canvassed colleges and high schools for volunteers and began training them on the tactics of nonviolent direct action.

A police officer takes away protest signs on May 3, 1963. Moments later firemen hosed demonstrators. Source: Ed Jones/The Birmingham News

As is described on the Civil Rights Movement Archive:

A passion for freedom sweeps through Parker High and the other Black schools of Birmingham and Bessemer, an emotional firestorm ignited by SCLC’s young field workers, led by class presidents and prom queens, cheerleaders and football players like big James Orange. A fire stoked and spread by “Tall Paul” White and other DJs at the Black radio stations.

Thursday, May 2nd, is “D-Day” as students “ditch” class to march for justice. In disciplined groups of 50, children singing freedom songs march out of 16th Street Baptist church two-by-two. When each group is arrested, another takes its place. There are not enough cops to contain them, and police reinforcements are hurriedly summoned. By the end of the day almost 1,000 kids have been jailed.

The next day, Friday May 3rd, a thousand more students cut class to assemble at 16th Street church. With the jails already filled to capacity, and the number of marchers growing, Eugene “Bull” Connor (Commissioner of Public Safety in charge of the police and fire departments) tries to suppress the movement with violence. Instead of arresting the first group of marchers he orders his fire department to disperse them with firehoses. But the students hold their ground, singing “Freedom” to the tune of the ancient hymn “Amen.” Connor orders the water pressure increased to knock them off their feet and wash them away. Still singing, the young protesters sit down on the pavement and hunch their backs against the torrent. Continue reading.

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Aided by a popular and progressive young teacher, Sal Castro, Paula Crisostomo and a group of young Chicano activists battle parents, teachers, bureaucrats, the police and public opinion to make their point. Along the way, the students learn profound lessons about embracing their own identity and standing up for what they believe in. [Producer’s description.]

Promo Video

Walkout promo from Julian Rodriguez on Vimeo.

Historic Background from Democracy Now! (March, 26 2006):

The mass student walkouts this week across California and other states are not the first of their kind. In 1968, Chicano students in East Los Angeles staged a historic walkout in their high schools to protest academic prejudice and dire school conditions.

Students were forbidden from speaking Spanish in class or from using the restrooms during lunchtime. Schools taught a curriculum that largely ignored or denied Mexican-American history and Chicano students were steered toward menial labor and away from college by counselors and school officials.

In March 1968, the students decided to take a stand against the injustice and staged walkouts in schools across L.A. Many date the modern Chicano movement to the walkouts when some 20,000 teenagers took to the streets

Many of the students who participated in the walkouts went on to successful careers in politics, academia and the arts. One of them was Antonio Villaraigosa — he became the mayor of Los Angeles. Another was award-winning filmmaker Moctesuma Esparza, who was indicted for his role in organizing the walkouts. He is now executive producer of the HBO film about the 1968 protests simply titled Walkout.

Directed by Edward James Olmos and Robert M. Young | HBO

This film is currently available to watch on HBO Max and can also be purchased or rented from YouTube.

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